Dealing with Writer’s Block: What’s Lurking
At one point or another, pretty much every writer hits a wall. For whatever reason, you can be moving along at full tilt when, all of a sudden, you realize that you’ve either painted yourself into a corner or, worse, that you’re fresh out of paint. The technical term for this, I believe, is writer’s block.
The important thing to remember when you’re hit with writer’s block is not to panic. Instead, look back over what you’ve written and try to figure out what’s “lurking.” In other words, what remains unsaid? Where’s the potential for your story to grow? For example, is there a character you’ve mentioned in passing but have yet to develop? Is there a “gun over the fireplace” that you haven’t fired yet? Have any of your characters missed opportunities to meet? Is a character holding back on expressing her true feelings or revealing an important detail?
I recently saw the author Robin Black read from her wonderful collection of short stories, If I Loved You, I Would Tell You This. One of the things she said she does when she’s stuck is to go back and look for places where her characters don’t speak their minds because they’re trying to be polite. She’ll then remind herself that her characters don’t need to be as polite as she is, and she’ll allow her characters to say what she might never say in real life. From there, the story is forced to take a new turn.
By allowing something that’s lurking to creep out into the open, you give your work the opportunity to do something unexpected. When that happens, your work takes on new life. To go back to my initial analogy, it’s a little bit like giving yourself the power to paint a doorway into the corner you thought you’d painted yourself into—and then to step through that doorway and into the rest of your story.
Marc Schuster is the author of The Grievers (Permanent Press 2012).